Sunday, May 3, 2015

Conclusion

Sunday, April 26, 2015

Photojournalist Profile: Robert Capa

Robert Capa changed so many aspects of war photography. He was the first to go with the soldiers to combat and photograph there. This not only changed the lives of photojournalists but also changed the perspectives of many people. Before this, individuals may not have understood the extent of war. He was born in Hungary, but was a naturalized U.S. citizen. The collage that I did shows a series of photos that Capa posted on Magnum Photos. I put these together because I think that Capa really showed some of his best work on Magnum.

Career Path:
Robert Capa was most famous for his war photography and helping to create Magnum Photos. He created Magnum photos because him and a couple other photojournalists wanted to "reflect their independent natures as both people and photographers." This was something they created beyond the companies they worked for. They really wanted to show the photos that they could choose to be published instead of only showing certain photos from war. They were very flexible in choosing where their next project would be so all of them were covering a wide variety of issues. Capa took photos during World War II and was one of the first photojournalist to be in combat with the troops. He was killed in 1954 when he stepped on a land mine covering the French Indochina War. He died with a camera in his hand. 

Era:
During the time that Capa was taking photos, it was a male dominant field. Many of his famous photos came from the Spanish Civil War, and World War II. Him and his colleagues created Magnum Photos 1947. There were many conflicts going on around the world at the time that Capa was photographing.

Motivation:
When he was only 18 years old, he was arrested in Hungary for political activities. His father banished him from his home after that event, so Capa was on his own. He showed so much emotion in his photos and really brought out the terror of war. Humans motivated him. That is what he took the most interest in. Capa was Jewish, so the second World War was something that hit close to home.

Technology:
During the time that Capa took photos, they were not so mobile. He took photos with two Contax II cameras mounted with 50mm lens. These cameras were not like the ones we have today. This technology made it a lot more dangerous when being in war and carrying around that heavy equipment.

Ethics:
Capa did not like war. He photographer war to let the world see what events were taking place. He really exposed the realism of war. He never took photos that were staged or that did not represent the war for how it was. He always kept his photos real and made sure to take them for the right reasons. He took photos of war for the public, not to just take famous photos. That is the reason he created Magnum Photos.

Photographic Style:
In the Encyclopedia of World Biography, Capa is described as always putting a face on war. He photographed people in war and every aspect of them. He had "a deeply moving account of the boredom, terror, and insanity of war, are characterized by a direct appeal to the emotions, the response of average people to events beyond their control."

The photo of Pablo Picasso that Capa took in 1944 has a great use of shadows. The photo is very clear, but it has a lot of shadows. The shadows give the photo a really interesting perspective and makes the photo seem more depressing. The subject's face is so serious and the shadows make it even more serious. 
 In one of his photos from the Spanish Civil War, Capa uses the rule of thirds. The photo is also very moving and very simple. The man is falling on the day the war ended and that really says something about it. 












Another famous photo he took is a close up and shows the emotion of the man's face. The subject's expression really makes the entire photo. It seems like he has some strong feelings for something at the time. He has a patch on his face from an injury and it seems like he is happy that an event is over. 
Another great photo that Capa took was with Chinese soldiers. The use of lines in the photo is simply amazing and the formation of the soldiers really draws the attention right to all of them. The soldiers formation of their bodies and heads really help the use of lines. 

Bias:
Capa may have had some bias against the wars because he was from a place that dealt with a lot of violence. He never liked to photograph things that did not interest him so he made sure he was always in the action. He usually photographed subjects expressions so he was not a fan of photographing scenery. He was also against war because his country was part of the war. Even though he went to America and worked in Paris, he had to flee from Hungary because he was Jewish. He was lucky enough to flee but there were many people in his country that were not as lucky.

Impact:
Some of Capa's images are still known to society. Robert Capa has a huge impact on society today. He introduced the world to combat and the truths of war. He also introduced photojournalists to this type of work because he was one of the first people to really be part of a war. The images he has from war are widely known to many people.

My Major at AIC:
I really don't think that my major relates to Robert Capa in any way. My fraud minor may relate to him because it is all about attention to detail. Photojournalism requires the individual to to be attentive at all times and to find that one moment that makes the photo exceptional. Fraud is about finding errors. I think that in a way Capa would try to find the errors in the world and express them through photography.

Viewpoints:
Robert Capa had a viewpoint very different from others at the time that he was a photojournalist. First, he had a viewpoint of someone who's country was suffering from war. That gave him insight about what was going on especially in Hungary. Another viewpoint he had was the perspective of war that no one else provided at the time.

Sunday, April 12, 2015

What Motivates Photojournalists

Photo By: Nick Turse
Images Source:http://archive.voxmagazine.com/m
edia/img/photos/2012/02/TimRIGHT_toneb.jpg
So many photojournalists have done amazing things that have made an impact on the profession of photojournalism. These photojournalists all have different reasons for why they are in their profession. A lot of them risk their lives everyday to show people what is going on around the world. One of the photojournalists that I feel made a big impact was Tim Hetherington. One thing that really inspired me was the fact that he died during his career. That just shows the dedication he had for really telling a story to the world. Tim must have been really passionate about his career to risk his life everyday to tell a story from a certain perspective. He had a mission and that was "to create a better understanding of the world." There is proof of this because he was a well-rounded individual who really had a motivation to open up people's eyes. He was a human rights activist who was a photojournalist and filmmaker. He was a photojournalist originally for the UK than started going internationally. He really focused on the issues that he was passionate about which were the soldiers.  This reminded me of the motivation that photojournalist Lynn Johnson had when photographing women's issues. They both really He really photographed so many important issues and it showed in his photos. In the photo below, he photographed the Chad Genocide Crisis in 2006. There are some very graphic photos, but this was the way he got the truth across.
Photo By: Tim Hetherington
Image Source: http://www.timhetheringtontrust.org/sites/def
ault/files/styles/gallery_large_1x/public/images/photo-albu
m/chad-crisis/chad002.jpg?itok=eMLfqb1E
Another photojournalist that I think has inspired so many and is such a motivated individual is Stacy Pearsall. Like Tim Hetherington she was involved in photographing issues around the world, and focused on the war. She put her life on the line many times, and one time she was ambushed and was injured on the job. She had to come home but she kept going. She started photographing portraits of veterans and got to hear there amazing stories. She loved the soldiers and really loved the stories behind the soldiers and it seems like that was a big part of what motivated her. She mentions "I was there to document them but inherently became part of the story too." She loved her job so much that having an injury never stopped her. At the hospital she had the idea of making the Veterans Portrait Project. She got to meet many veterans that shared extraordinary stories and that really kept her going.
Photo By: Stacy Pearsall
Image Source: http://michaelnovophotography.com
/stacy-pearsall-u-s-air-force-staff-sgt/


Photo By: Unknown
Image Source: http://michaelnovophotography.com
/stacy-pearsall-u-s-air-force-staff-sgt/













Photo By: Unknown
Image Source: http://www.nndb.com/people/319/000118962/
Mathew Brady is a great influence in the world of photojournalism. He was an older photojournalist that photographed during the civil war. It seems that Brady was motivated to tell the truth. He really wanted to show the truth to the people and he was the first to display his photos of the battlefield in New York. These photos were very hard for some people to see but I think Brady did it for a good reason. He stayed motivated just as the other photojournalists did. They were all involved in war photography which takes a lot of passion. He was determined because he had an eye condition that affected his vision. He really wanted to prove to himself and the public that his photos were great even with the condition that he suffered from. A lot of his work was done just for the great memories and experiences that he had the chance to pursue throughout his life. This was similar to what Professor Nordell said about how he feels about the motivation factor. He likes seeing his photos and Brady did too. He did great things that helped motivate other photojournalists and give them the chance to make a difference like Brady did. 
Photo By: Mathew Brady
Image Source: http://www.frameplay.com/archives/why-mathew-brady-matters/

My photojournalism map is very similar to what motivates the photojournalists I mentioned above. The world, love, success,  happiness, and other people are things that motivate me. I am also self-motivated and my goals motivate me. Most of these things I listed are also things that these 3 photojournalists are motivated by. Stacy Pearsall is self-motivated and motivated by other people through her Veterans Portrait Project. I think that Tim Hetherington really showed his passion through others and love for his work. Many of these things that motivate both the photojournalists and I probably motivate other people as well. 

Sunday, April 5, 2015

Photojournalism and Bias

Photo by: Ed Clark 
Every person has different views. Those views make us think about things differently and interpret them too. When we make an interpretation, there are many different aspects to look at. with photojournalism, photos can be confusing to interpret. We all have different ethics and views on the world, and we see things according to those views.  The photo that Ed Clark took brings up so many different feelings. There could be so many ways to interpret this photo and so many things could be going on. There are obviously tears coming out of his eyes so automatically I would think he is feeling a very strong emotion. By his face and the people in the background, it seems like the man is mourning. It may be the loss of someone close, or someone very important. Everyone in the photo seems so sad that they can't even look at the man playing the accordion.  There are many stories within this one photo as Shahidul Alam says in his interview. In the photo, the man is on the left side of the photo and the right side shows the other people with the same sad faces. It seems like Clark used the rule of thirds to really show the amount of sadness. The depth perception also makes you focus on the man's face but also makes you look to the back to see the others mourning. The black and white photo helps to indicate when the photo was taken. It must have been taken when color was not available but it still shows a lot of detail.


Photo by: John Filo
Image Source: http://www.examiner.com/article/photographs-that-changed-the-world
One image to me that really tells the truth is the one shown to the right. This was from a shooting and the woman photographed was showing her real emotions. This photo was not staged as you can tell because there is a pole that looks like it's going through the woman's head. She is screaming at the loss of the person in the street. The people in the background are looking over to see what is going on and that brings the attention right to the woman. Like Shahidul Alam said "a story has many truths and many levels."  Some people may have said that this photojournalist should have been helping the woman who obviously felt pain. But some people could say that the photojournalist also felt that pain. Alam also says that " the only time you really able to tell the stories about the people is when you live their lives." The photojournalist was there, feeling the real pain that the woman felt for the person laying in the street. This photo is the truth of how this woman felt and the whole scene of the photo. 
Photo by: David Dare Parker
Image Source: http://www.picturecorrect.com/tips/photograph
y-qa-with-a-nikon-pro-photojournalist/

Photo By: Dennis BautistaImage Source: http://www.artremote.com/page/2/
I believe that images that are changed from their original state, are photos that stray from the truth. There are some photojournalists that edit their photos and do "whatever it takes" to get that photo that may make people think a certain way. This changes the opinions of the people that are viewing photo which creates bias. In the late 1800's and the early 1900's cameras could not freeze motion so in the newspapers, there would be artists drawing scenes of what happened in the news. Professor Nordell mentioned Yellow Journalism where the headlines were big and they really grabbed people's attention. But there was also a lot of bias in the articles to convince the reader one way.  Well today it is whether the story is the truth and if the photo is altered. Today's technology allows for photos to be altered and this allows the truth to be altered. I wanted to show the photo from the Kent State shooting again because at one point, the pole behind the woman was taken away. Although the placing of the pole made the photo look off, that was no reason to alter the photo. 
Photo By: John Filo (Original) 

Sunday, March 29, 2015

Ethics of Photojournalism


There have been many controversial work from photojournalists. Recently, it has been becoming easier for photojournalists to alter their work because of the advances in technology. This is unethical for many reasons. Altering an image can create a totally different meaning, or create a different feeling. It also gives viewers a false representation of news or whatever is happening at the time. In the code of ethics it states that images should not be altered from their original state.

In June of 1994, O.J. Simpson was arrested for the murder of his wife. His mug shot was released but one magazine must have thought that it didn't define the way Simpson should have looked. On the cover of Time Magazine there is a dark image of Simpson and the magazine headline is "An American Tragedy." The photo was geared to make him look "darker" and more "menacing." There is a photo of O.J. Simpson on the cover of Newsweek that shows the mug shot completely unaltered. This photo violates the code of ethics because of the alterations made to the image. The image also violates number 4 in the code of ethics which states "Treat all subjects with respect and dignity." Even though Simpson's rights were taken away from him, that picture should not have been altered the way that it was. For Time Magazine, this takes away from their integrity and credibility by putting this image on the front page of an issue. 


Photo by: Time Magazine (Left) and Newsweek (Right)

My personal code of ethics includes many things that makes this image a violation of my ethics. Something that I feel very strongly about is honesty. In the situation of O.J. Simpson, the magazine was not portraying him in an honest manner whether he was in the wrong or not. Time seemed like they did "whatever it takes" to get the readers attention instead of sticking with the original photo. As I mentioned before everyone should be treated with respect. No matter how the magazine felt about the issue, they should have showed the photo in the correct manner. 


Many of the code of ethics for photojournalists are similar to code of ethics that I would follow. In the code of ethics it says to "respect the integrity of the photographic moment." This was a huge moment in history when the word found out that Simpson was being arrested for murder. In this situation, knowing my ethics, i would not have edited the photo the way Time did. I would have left the image as it was and I think it would have gotten an honest reaction instead of having the reader be afraid of Simpson. I think that Newsweek had a more clever caption and brought the reader in without changing the photo. Time may also have gotten pressure from the environment that they work in. If the magazine is all about getting the attention of the public no matter what it takes, than I can see why the editor did this. This photo makes it seem like there is something wrong with the company's ethics. Most of the time, if the photo is left how it is, the photojournalist will have more credibility
than if the image is altered.


Photo By: Los Angeles Police
Image Source:  




Sunday, March 22, 2015

Women Photojournalists- Trials and Triumphs

There are so many influential women photojournalists that have allowed for women to succeed in the field of photojournalism. There have been many women that have overcome the adversity and had a great impact on the world of photojournalism. Frances Benjamin Johnson made a huge impact with the self portrait of her smoking and holding a beer. This photo helped her get the attention of others. She was part of the women's rights movement and made it possible for women to have a lot of rights that they never had before. Around the same time a very talented woman photojournalist also dealt with the struggle to fight for women's rights. Born in 1870, Jessie Tarbox Beals did very well overcoming the obstacles involved with being a woman in the field of photojournalism. I think she did well and did have a different impact as a woman just like Lynsey Addario said in her video. 

Beals was the first female American news photographer. Jessie called attention to her willingness to work outdoors and in situations generally thought too rough for a woman. She started her career as a teacher but also did part-time door to door photography. In 1902, she became a full time photojournalist. Her work as a woman was one of the first to be published. In 1904, the Buffalo newspaper sent Beals to photograph the Louisiana Purchase Exposition. There she was denied access because she was late, but then she convinced the office to let her in. She got to photograph the fairgrounds before it started. She got a lot of inspiration from photographing at the fair and many of her writings came from that. She photographed William Howard Taft and Theodore Roosevelt. She was an aggressive photographer and that created a lot of opportunity. She worked hard to make a living for herself and her family.  

She worked for two Buffalo, New York newspapers. She could not keep a steady job so her and her husband opened a studio where they photographed. She used a 50 pound camera to photograph her subjects. To photograph, she had to have a lot of strength and agility. By the time she was 58, her career as a great photographer had come to an end. She could no longer carry around the heavy camera and take the images she used to take. After being married twice and divorced twice, at the end of her life she had her daughter by her side.

Women have been discriminated in the workplace before it even became popular. As Professor Nordell explained that Marion Post Wolcott endured so many hardships at her workplace. Her male coworkers urinated in her chemicals, and had spit balls spit at her.  Today, these things do not happen often, but there is still discrimination in the workplace. Being an accounting major and having a future in the business world, I have to watch out for discrimination in the workplace. There are many more men in the business world than women, and men are often taken more seriously than women. For every dollar that a male earns, a woman only earns 78 cents.  Another good example of discrimination in the workplace is in the airline industry. Women pilots are not even allowed to announce that they are flying the plane; the co-pilot has to announce.

BEALS, JESSIE TARBOX (1870-1942)
Photo by: Jessie Tarbox Beals 
Image Source: http://www.invaluable.com/auction-lot/beals,-jessie-tarbox-1870-1942-54-c-nqi4h2oxs2
Year Created:1906
Shadows:
The shadows in the photo really draw your attention to certain parts. There is a dark shadow in the street which makes you look to see what is photographed in that certain area.  

Depth of Field: The buildings in the background of the photo really give it a lot of depth. It feels like the picture goes on for a long time and you can see far away. 

Quality of Light: The quality of light does not seem very good at first but it makes the photo look intense. The photo makes a bold statement and really draws the attention to the darkness. 

Why did I choose this image? 
I chose this first image because the photojournalist that I researched took the photo. I really thought the lighting was very interesting and the depth of the image really caught my eye. The image shows something dark and there is a lot of emotion behind it. 
Jessie Tarbox Beals (1870–1942), Grace Godwin’s Garret, Greenwich Village, ca. 1917. Gelatin silver print. New-York Historical Society
Photo by: Jessie Tarbox Beals
Image Source: http://armory.nyhistory.org/the-rise-and-fall-of-greenwich-village/
Year Created: 1917
Texture: In this image, there is a lot of texture. The walls and floors look rough, and the carvings on the wall makes the texture create feeling. It seems like the carvings on the wall are trying to tell a story. The texture of the floors and walls really make the subject and the guitar pop. 

Rule of Thirds: The main focus of the image is justified to the right. This draws your eyes to the subject sitting on a step. It also allows you to to really focus on the other details in the image. It allows the texture to be seen without the image being too busy. 

Keep it Simple: The look of this image is very simple, yet still complex. it is not too much to look at, and it conveys a lot of emotion. The picture has many textures but it is not too much because of the simplicity of the photo. 

Why did I choose this image? 
I think that the image is very interesting. Beals took this photo in Greenwich Village, where she took some of her greatest photos. The carvings on the wall really intrigued me and the subject looked very concentrated but lonely. I can tell this photo was taken a long time ago also because the clothes the subject is wearing. 


Photo by: Jessie Tarbox Beals 
Image Source: http://www.artvalue.com/auctionresult--tarbox-beals-jessie-1870-1942-macdougal-alley-greenwich-vill-2520548.htm
Year Created: 1907
In focus: The image is really in focus but as you look farther and farther it becomes a little more out of focus. This helps to create depth and it really puts you where the picture was taken. It also helps to show how far the image shows. 

What feelings does the image create? This image shows abandonment. The windows look boarded up and it gives the feeling of loneliness. The cracked street also makes it seem like no one has been there for years or keeps up with the property. 

Background Compliments: The background of the photo actually completes the image and it creates the depth. The background makes the image shows so much more than if it wasn't taken that way. The road going all the way to the back creates lines for the image. 

Why did I choose this image? 
I chose this image because I wanted to show an array of photos that Beals took over her lifetime. I think that this shows a different perspective of Greenwich Village. It shows how the village was abandoned and then re-vitalized. I also really like the way the image is taken and how it makes you feel like you are standing on that street. 

Sunday, March 8, 2015

Photojournalism Timeline

This is my Photojournalism Timeline. It is about certain technology that influenced photojournalism the most since around 1850.  Some of the words are cut off at the bottom because of the website that it was uploaded to but otherwise it should be fine.



I hope you enjoyed my presentation!