Sunday, April 26, 2015

Photojournalist Profile: Robert Capa

Robert Capa changed so many aspects of war photography. He was the first to go with the soldiers to combat and photograph there. This not only changed the lives of photojournalists but also changed the perspectives of many people. Before this, individuals may not have understood the extent of war. He was born in Hungary, but was a naturalized U.S. citizen. The collage that I did shows a series of photos that Capa posted on Magnum Photos. I put these together because I think that Capa really showed some of his best work on Magnum.

Career Path:
Robert Capa was most famous for his war photography and helping to create Magnum Photos. He created Magnum photos because him and a couple other photojournalists wanted to "reflect their independent natures as both people and photographers." This was something they created beyond the companies they worked for. They really wanted to show the photos that they could choose to be published instead of only showing certain photos from war. They were very flexible in choosing where their next project would be so all of them were covering a wide variety of issues. Capa took photos during World War II and was one of the first photojournalist to be in combat with the troops. He was killed in 1954 when he stepped on a land mine covering the French Indochina War. He died with a camera in his hand. 

Era:
During the time that Capa was taking photos, it was a male dominant field. Many of his famous photos came from the Spanish Civil War, and World War II. Him and his colleagues created Magnum Photos 1947. There were many conflicts going on around the world at the time that Capa was photographing.

Motivation:
When he was only 18 years old, he was arrested in Hungary for political activities. His father banished him from his home after that event, so Capa was on his own. He showed so much emotion in his photos and really brought out the terror of war. Humans motivated him. That is what he took the most interest in. Capa was Jewish, so the second World War was something that hit close to home.

Technology:
During the time that Capa took photos, they were not so mobile. He took photos with two Contax II cameras mounted with 50mm lens. These cameras were not like the ones we have today. This technology made it a lot more dangerous when being in war and carrying around that heavy equipment.

Ethics:
Capa did not like war. He photographer war to let the world see what events were taking place. He really exposed the realism of war. He never took photos that were staged or that did not represent the war for how it was. He always kept his photos real and made sure to take them for the right reasons. He took photos of war for the public, not to just take famous photos. That is the reason he created Magnum Photos.

Photographic Style:
In the Encyclopedia of World Biography, Capa is described as always putting a face on war. He photographed people in war and every aspect of them. He had "a deeply moving account of the boredom, terror, and insanity of war, are characterized by a direct appeal to the emotions, the response of average people to events beyond their control."

The photo of Pablo Picasso that Capa took in 1944 has a great use of shadows. The photo is very clear, but it has a lot of shadows. The shadows give the photo a really interesting perspective and makes the photo seem more depressing. The subject's face is so serious and the shadows make it even more serious. 
 In one of his photos from the Spanish Civil War, Capa uses the rule of thirds. The photo is also very moving and very simple. The man is falling on the day the war ended and that really says something about it. 












Another famous photo he took is a close up and shows the emotion of the man's face. The subject's expression really makes the entire photo. It seems like he has some strong feelings for something at the time. He has a patch on his face from an injury and it seems like he is happy that an event is over. 
Another great photo that Capa took was with Chinese soldiers. The use of lines in the photo is simply amazing and the formation of the soldiers really draws the attention right to all of them. The soldiers formation of their bodies and heads really help the use of lines. 

Bias:
Capa may have had some bias against the wars because he was from a place that dealt with a lot of violence. He never liked to photograph things that did not interest him so he made sure he was always in the action. He usually photographed subjects expressions so he was not a fan of photographing scenery. He was also against war because his country was part of the war. Even though he went to America and worked in Paris, he had to flee from Hungary because he was Jewish. He was lucky enough to flee but there were many people in his country that were not as lucky.

Impact:
Some of Capa's images are still known to society. Robert Capa has a huge impact on society today. He introduced the world to combat and the truths of war. He also introduced photojournalists to this type of work because he was one of the first people to really be part of a war. The images he has from war are widely known to many people.

My Major at AIC:
I really don't think that my major relates to Robert Capa in any way. My fraud minor may relate to him because it is all about attention to detail. Photojournalism requires the individual to to be attentive at all times and to find that one moment that makes the photo exceptional. Fraud is about finding errors. I think that in a way Capa would try to find the errors in the world and express them through photography.

Viewpoints:
Robert Capa had a viewpoint very different from others at the time that he was a photojournalist. First, he had a viewpoint of someone who's country was suffering from war. That gave him insight about what was going on especially in Hungary. Another viewpoint he had was the perspective of war that no one else provided at the time.

Sunday, April 12, 2015

What Motivates Photojournalists

Photo By: Nick Turse
Images Source:http://archive.voxmagazine.com/m
edia/img/photos/2012/02/TimRIGHT_toneb.jpg
So many photojournalists have done amazing things that have made an impact on the profession of photojournalism. These photojournalists all have different reasons for why they are in their profession. A lot of them risk their lives everyday to show people what is going on around the world. One of the photojournalists that I feel made a big impact was Tim Hetherington. One thing that really inspired me was the fact that he died during his career. That just shows the dedication he had for really telling a story to the world. Tim must have been really passionate about his career to risk his life everyday to tell a story from a certain perspective. He had a mission and that was "to create a better understanding of the world." There is proof of this because he was a well-rounded individual who really had a motivation to open up people's eyes. He was a human rights activist who was a photojournalist and filmmaker. He was a photojournalist originally for the UK than started going internationally. He really focused on the issues that he was passionate about which were the soldiers.  This reminded me of the motivation that photojournalist Lynn Johnson had when photographing women's issues. They both really He really photographed so many important issues and it showed in his photos. In the photo below, he photographed the Chad Genocide Crisis in 2006. There are some very graphic photos, but this was the way he got the truth across.
Photo By: Tim Hetherington
Image Source: http://www.timhetheringtontrust.org/sites/def
ault/files/styles/gallery_large_1x/public/images/photo-albu
m/chad-crisis/chad002.jpg?itok=eMLfqb1E
Another photojournalist that I think has inspired so many and is such a motivated individual is Stacy Pearsall. Like Tim Hetherington she was involved in photographing issues around the world, and focused on the war. She put her life on the line many times, and one time she was ambushed and was injured on the job. She had to come home but she kept going. She started photographing portraits of veterans and got to hear there amazing stories. She loved the soldiers and really loved the stories behind the soldiers and it seems like that was a big part of what motivated her. She mentions "I was there to document them but inherently became part of the story too." She loved her job so much that having an injury never stopped her. At the hospital she had the idea of making the Veterans Portrait Project. She got to meet many veterans that shared extraordinary stories and that really kept her going.
Photo By: Stacy Pearsall
Image Source: http://michaelnovophotography.com
/stacy-pearsall-u-s-air-force-staff-sgt/


Photo By: Unknown
Image Source: http://michaelnovophotography.com
/stacy-pearsall-u-s-air-force-staff-sgt/













Photo By: Unknown
Image Source: http://www.nndb.com/people/319/000118962/
Mathew Brady is a great influence in the world of photojournalism. He was an older photojournalist that photographed during the civil war. It seems that Brady was motivated to tell the truth. He really wanted to show the truth to the people and he was the first to display his photos of the battlefield in New York. These photos were very hard for some people to see but I think Brady did it for a good reason. He stayed motivated just as the other photojournalists did. They were all involved in war photography which takes a lot of passion. He was determined because he had an eye condition that affected his vision. He really wanted to prove to himself and the public that his photos were great even with the condition that he suffered from. A lot of his work was done just for the great memories and experiences that he had the chance to pursue throughout his life. This was similar to what Professor Nordell said about how he feels about the motivation factor. He likes seeing his photos and Brady did too. He did great things that helped motivate other photojournalists and give them the chance to make a difference like Brady did. 
Photo By: Mathew Brady
Image Source: http://www.frameplay.com/archives/why-mathew-brady-matters/

My photojournalism map is very similar to what motivates the photojournalists I mentioned above. The world, love, success,  happiness, and other people are things that motivate me. I am also self-motivated and my goals motivate me. Most of these things I listed are also things that these 3 photojournalists are motivated by. Stacy Pearsall is self-motivated and motivated by other people through her Veterans Portrait Project. I think that Tim Hetherington really showed his passion through others and love for his work. Many of these things that motivate both the photojournalists and I probably motivate other people as well. 

Sunday, April 5, 2015

Photojournalism and Bias

Photo by: Ed Clark 
Every person has different views. Those views make us think about things differently and interpret them too. When we make an interpretation, there are many different aspects to look at. with photojournalism, photos can be confusing to interpret. We all have different ethics and views on the world, and we see things according to those views.  The photo that Ed Clark took brings up so many different feelings. There could be so many ways to interpret this photo and so many things could be going on. There are obviously tears coming out of his eyes so automatically I would think he is feeling a very strong emotion. By his face and the people in the background, it seems like the man is mourning. It may be the loss of someone close, or someone very important. Everyone in the photo seems so sad that they can't even look at the man playing the accordion.  There are many stories within this one photo as Shahidul Alam says in his interview. In the photo, the man is on the left side of the photo and the right side shows the other people with the same sad faces. It seems like Clark used the rule of thirds to really show the amount of sadness. The depth perception also makes you focus on the man's face but also makes you look to the back to see the others mourning. The black and white photo helps to indicate when the photo was taken. It must have been taken when color was not available but it still shows a lot of detail.


Photo by: John Filo
Image Source: http://www.examiner.com/article/photographs-that-changed-the-world
One image to me that really tells the truth is the one shown to the right. This was from a shooting and the woman photographed was showing her real emotions. This photo was not staged as you can tell because there is a pole that looks like it's going through the woman's head. She is screaming at the loss of the person in the street. The people in the background are looking over to see what is going on and that brings the attention right to the woman. Like Shahidul Alam said "a story has many truths and many levels."  Some people may have said that this photojournalist should have been helping the woman who obviously felt pain. But some people could say that the photojournalist also felt that pain. Alam also says that " the only time you really able to tell the stories about the people is when you live their lives." The photojournalist was there, feeling the real pain that the woman felt for the person laying in the street. This photo is the truth of how this woman felt and the whole scene of the photo. 
Photo by: David Dare Parker
Image Source: http://www.picturecorrect.com/tips/photograph
y-qa-with-a-nikon-pro-photojournalist/

Photo By: Dennis BautistaImage Source: http://www.artremote.com/page/2/
I believe that images that are changed from their original state, are photos that stray from the truth. There are some photojournalists that edit their photos and do "whatever it takes" to get that photo that may make people think a certain way. This changes the opinions of the people that are viewing photo which creates bias. In the late 1800's and the early 1900's cameras could not freeze motion so in the newspapers, there would be artists drawing scenes of what happened in the news. Professor Nordell mentioned Yellow Journalism where the headlines were big and they really grabbed people's attention. But there was also a lot of bias in the articles to convince the reader one way.  Well today it is whether the story is the truth and if the photo is altered. Today's technology allows for photos to be altered and this allows the truth to be altered. I wanted to show the photo from the Kent State shooting again because at one point, the pole behind the woman was taken away. Although the placing of the pole made the photo look off, that was no reason to alter the photo. 
Photo By: John Filo (Original)